Building cinematic worlds, characters, and stories across fashion, film, and emerging technology.


ABOUT

Leilanni Todd is a New York–based digital artist and creative director working across film, fashion, and emerging technologies. With a background in advertising, 3D animation, and fashion design, she creates AI-driven worlds where cinematic storytelling and speculative design converge.

In 2022, she created Floam World—a surreal AI universe where film, fashion, humor, and absurdist world-building intersect. She recently served as AI Creative Director at Primordial Soup, the creative technology company founded by Darren Aronofsky.

Her short film Everyone is Chair screened at the Tribeca Festival 2024. In 2025, she received The One Show Gold Pencil as the inaugural AI Pioneer (Individual) and teaches Generative AI for Virtual Production at NYU Tisch’s Martin Scorsese Virtual Production Center. She has spoken at the Museum of the Moving Image (New York), Motion Plus Design (New York and Paris), and was a featured artist and speaker at the NYWIFT Summit.

Her commercial work spans campaigns for Apple, Nike, Airbnb, Puma, Google, and The New York Times, serving as Creative Director with agencies including Droga5, Mother New York, R/GA, Squarespace, and TBWA\Media Arts Lab. Most recently, she developed and created characters for the Spring/Summer 2026 campaign for Prada, in collaboration with artist Jordan Wolfson.


LATEST NEWS

Bringing artist Jordan Wolfson’s vision to life for PRADA.

I, I, I, I AM… PRADA.

Prada Spring/Summer 2026 Campaign

Pradasphere

American artist Jordan Wolfson reimagines the Prada Spring/Summer 2026 advertising campaign, reshaping not only its visual language but also the very structure and duration of its narrative. His reinterpretation features the same cast—John Glacier, Levon Hawke, Nicholas Hoult, Damson Idris, Carey Mulligan, Hunter Schafer, Liu Wen—yet transforms them through his distinctive lens. Wolfson’s intervention reframes these constants, creating a layered vision that reflects Prada’s inherent plurality.

credits